Film Review: The Great Gatsby
/With F. Scott Fritzgerald's novel The Great Gatsby being one of the most acclaimed and popular books from the 20th Century there is no surprise why the film continues to have ma y adaptations for both film and television. With Moulin Rougue director Baz Lurrman directing a new adaptation of the novel I was interested to see what his interpretation of it would be. Does Lurrman manage to create an exciting, fresh and thrilling take on The Great Gatsby? Well, yes and no.
The film for the majority of the time is set as a flashback where Nick Carraway recounts his younger years with a man by the name of Jay Gatsby. As soon as the flashback sequence begins the film transforms into the Baz Lurrman style world that we are familiar with. Slick editing, outstanding cinematography, larger than life characters and a catchy soundtrack to accompany it the film begins with an exciting and bizarre take on the novel. The actors themselves fit well with Lurrman's vision. Their performances are so energetic you feel as though they have overdosed on Red Bull before Lurrman shouted 'action!'. As an audience member you feel as though you are drinking champagne along with the characters and life is heady.
Leonardo Dicaprio is terrific as the charming and charismatic Gatsby. Over the years he has gone from being a heart throb to being one of cinema's finest actors and The Great Gatsby reminded me just how talented he is. When I heard his voice and saw his face for the first time in the film I didn't see Dicaprio but Gatsby himself, proving that he understood the role and could transform himself into the character well. Carey Mulligan once again gives a brilliant performance as the leading female Daisy, however I felt that there was little for her to do until the end of the film. It felt like a waste for such a talented actress.
The soundtrack to this film is definitely one of the highlights. From Jay Z to Lana Del Rey, Lurrman along with Jay Z as producer have collaborated on a modern musical score to fit with a 20th century setting to create a unique post-modernism mise en scene. Lurrman is a director who cares more about the songs fitting with the moods the film goes through more than it fitting with the time period.
Though the film has a brilliant soundtrack to accompany it it does feel as though Lurman was focusing more on that as well as its cinematography. The film is shot beautifully, however for me there were too many sequences where the camera whizzes around Manhatten and other glamorous shots accompanied by 21st century music that I wished that they'd concentrate more on the story than the visual aspects of the film.
However, the heavy use of glamorous cinematography does come to an end during the second half but this didn't mean the film managed to pick itself up. I felt as though the energy had dropped and it had turned into a dull and less interesting film. It's a shame as the second half is when tragic events begin o happen and I found myself not caring for the characters as much anymore.
The Great Gatsby does have it's flaws and the second half doesn't live up to its first but I find this to be an interesting and unique take on the novel. It's an adaptation where a director wants to show the story with a completely different approach, making it appeal to the younger generation who'll be less familiar with the book. It has bold performances, beautiful but over used cinematography and a decent soundtrack but after a while you notice that not even these can make the film a classic. If you are not familiar with The Great Gatsby and are a fan of Lurrman's work and you have nothing else to do then I'd recommend you watched this. Fans of the book may be interested to see how Lurrman put his vision of the novel on the big screen but whether they will enjoy it or not they will have to judge for themselves.